Review: The Orchid and the Crow
Crafted with lyrically-driven musical numbers and heartfelt storytelling, this astonishing one-man show charts Daniel Tobias’s life – and his brush with death. ★★★★★
Daniel Tobias in The Orchid and the Crow. Photo: Andrew Wuttke
Having been diagnosed with testicular cancer at age 29, the writer and performer turned to ex-professional cyclist and cancer survivor Lance Armstrong for guidance.
Tobias casually, yet powerfully, explains his experience and rationality during this time, and how drawing strength from Armstrong’s experiences described in his biography helped him deal with what he was going through.
His honest and vivid delivery engages the audience and sparks the notion that “this can really happen to anyone”.
By bringing some tongue-in-cheek humour to the stage, Tobias is able to draw on every sentiment during his 75-minute performance.
He tells stories from his Jewish upbringing, mocking circumcision and his family’s love for Christmas, before delving into personal tales from his young adult life. Witty musical numbers see him mock religion by acting as a flamboyant “god” obsessed with genitalia.
This immensely entertaining variety work – featuring rock ’n’ roll and cabaret alongside traditional stand-up-style storytelling – tackles confronting issues with a fresh approach. The rawness evident in every word Tobias delivers also offers a wake-up call about cancer check-ups.
The Orchid and the Crow is a must-see.
Five stars
The Orchid and the Crow will play at the Holden Street Theatres as part of the Adelaide Fringe Festival until March 13.